I definitely write from a need to try, in my own two hours, to right a wrong. My little play is inconsequential in terms of whether or not we have health care, but it may affect the way people who see the play think about the issue.
If you’ve ever been to New York City, you know that the theatre, and in particular, Broadway, plays an important role. You might also have heard of a subset of theatres and plays that are ‘off-Broadway.’ However, the term off-Broadway isn't geographical. Broadway theatres have 500 seats or more, off-Broadway venues have 100-499 seats, and off-off-Broadway theatres have less than 100 seats.
Take a moment to watch 5 Common Mistakes New Screenwriters Make and make notes in your Writer’s Notebook for use when you polish your script.
As King Lear reminds us, “nothing will come of nothing, speak again.”
Most script writers will admit that their first drafts were not their last ones. Fortunately, the beauty of the writing process is that with conscientious review and refinement small and significant improvements can be made. However, there comes a time in all writers’ careers when they need to write ‘Fin.’
Before polishing your own scripts, take a moment to review an existing movie script that has been polished and produced. You can easily find scripts online, though there are some resources below to assist you in your research. Read at least ten pages of the script (ideally you’d want to read the entire script, although some are quite lengthy) and then find and watch the portion you read. Afterward, include the name and MLA citation for the script. Then, respond to the following questions in your Writer’s Notebook.
Another way to polish your script is to expand your own dramatic reading - the more exposure you have to dramatists and their work, the wider your dramatic worldview will be.
Find a contemporary dramatist who is still actively writing as of this year.
Then complete the following aspects of this assignment.
Summarize your findings above.
As Wayne Gretzky noted “[y]ou miss 100% of the shots you don't take.” Hmm, that would be a good prompt for a play...
Now that you’ve had a chance to read some dramatic writers’ scripts, why not enter some contests, yourself? There are plenty of free or small-fee contests in Canada and internationally: a simple Google search for ‘drama contests’ will net you many results.
Research one currently active (or soon to be active) contest.
However, before entering any contest make sure that you read the rules and regulations carefully. Beyond ensuing that you are meeting all contest criteria (for example, costs, file types, word counts, and formatting), you should be aware that some contests have clauses regarding publication rights and ownership.
For your final task for this activity, you will create a polished mini-portfolio of the scripts you have written throughout this unit. There must be one monologue, a dialogue, and a ten-minute play.
Along with your drama portfolio, you must include an annotated paragraph where you identify and explain your writing decisions for each of the scripts. Your reflection should comment specifically on how your scripts:
Prior to completing this task, conduct a self-assessment by ensuring that you meet the following criteria.
Now that this unit is complete, reflect on your growth as a writer by writing a 2-3 paragraph response. Your response should comment on the following questions.
Include examples from your works so far, as well as specific references to each activity. As a reminder, here are the activities you’ve completed in this unit:
Next, select one of your polished pieces from the unit and reread it. Now, in one or two paragraphs, explain what specific Dramatic Writing skills are showcased in both your product and its creation. Make sure that you:
Alternately, you can choose to create a digital mind-map, a short video, or a digital cartoon showcasing your skills growth.
If you're working on a tablet, click here to open the following interactive in its own window instead of using the embedded version below.