My style as a human being is to indulge people who need to escape, yet I insist on confronting them as a playwright. It's quite embarrassing, it's quite unpleasant, it's quite awkward.
No doubt you’ve felt like you are playing several roles at once (the student, the friend, the sibling, the worker, the writer)...nor is this unusual.
What is unusual, however, is the record for the most characters played in a one-actor show. According to the Guinness World Records, “Laxman Deshpande (India) plays all 53 parts in his one man play, Varhad Nighalay Londonla. The three hour play, which he first performed in 1979, is a comedy about a marriage party from India going to London for the wedding of one of their sons!”
But then, who knows? Perhaps one of your plays will outperform Deshpande’s singular ensemble...
There can be beauty in isolation.
A monologue is a speech delivered by a single actor (in fact, the word originated in Greek theatre and translates to ‘one speech’). While it’s possible for other characters to be present and occasionally involved, a monologue provides an opportunity for the audience to hear and/or see a single character’s point-of-view and development.
Not surprisingly, poems can be monologues, as well. A famous dramatic monologue well worth experiencing is Robert Browning’s “My Last Duchess.” While on the surface the monologue is a Duke speaking to a Count’s servant about his former wife, beneath the surface lies a dark, disturbing portrayal of elitism, jealousy and cruelty. Both warning and threat combine as the Duke (depending on your perspective) knowingly, flippantly, or accidentally reveals the truth...
As preparation for the move from script to stage or screen, take a moment to read, listen, and then watch “My Last Duchess.” Afterward, use your Writer’s Notebook to explore how the different renditions altered your perception of the dramatic monologue, the character, and the themes presented therein. Reflect on how these different versions and your perceptions of them could influence your own writing.
Read:
Listen:
Watch:
Take a moment to research what makes a monologue effective.
Many movies and television shows feature characters delivering monologues. While not all monologues are created equal, those that combine powerful writing with poignant performances are often one of the first scenes remembered, noted, or recommended.
And the award goes to...
In preparation for the monologue you will write, take a moment to find a television or movie monologue that you found particularly moving. Make sure that you do the following:
To assist you with your search, feel free to use the resource below.
Given that the text comes from just one character, it’s essential that you consider a monologue’s perspective, both internally in terms of the character and externally in terms of the intended audience. Writers new and old know that reviewing another author’s work can be an excellent way to develop your own craft.
To combine both of these strategies, you will select a previously written monologue that interests you and revise it for a different audience. Use the criteria in the Assessing Dramatic Texts checklist and the monologue characteristics you identified earlier to support your examination. Also, below are some resources for you to consult (or you may find your own monologue).
For your monologue you need to include:
Now that you’ve had a chance to review existing monologues, it’s time to write your own. To complete this assignment you need to do the following:
Now that you’ve researched and written a monologue, take a moment to reflect on your experiences of creating it. In your Writer’s Notebook, answer the following questions.
Showtime!
Now that you’ve written your own monologue, why not put it into action and record yourself reading it? As you do so, consider how the pronunciation, emphasis, pacing, volume, and tone of voice alter the monologue’s presentation and influence the audience’s reception.